Excerpt from Article:
Mgr Valentin Miserachs Grau, the director of the Pontifical Institute of Sacred Music, which trains church musicians, said that there had been serious "deviations" in the performance of sacred music.
"How far we are from the true spirit of sacred music. How can we stand it that such a wave of inconsistent, arrogant and ridiculous profanities have so easily gained a stamp of approval in our celebrations?" he said.
He added that a pontifical office could correct the abuses, and would be "opportune". He said: "Due to general ignorance, especially in sectors of the clergy, there exists music which is devoid of sanctity, true art and universality."
Mgr Grau said that Gregorian chant was the "cardinal point" of liturgical music and that traditional music "should become again the living soul of the assembly".
In a related article:
"In the Roman Catholic Church, we have the added horror of "folk Masses" . . . and now the same music is driving a new generation of young people away from church."The question that should be asked of modernist Church musicians is how does modern music conform with the priorities prescribed in 'Chapter VI - Sacred Music' of the Second Vatican Council's Constitution on the Sacred Liturgy (Sacrosanctum Concilium) promulgated by His Holiness Pope Paul VI on December 4, 1963?:
116. The Church acknowledges Gregorian chant as specially suited to the Roman Liturgy: therefore, other things being equal, it should be given pride of place in liturgical services.
120. In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church's ceremonies and powerfully lifts up man's mind to God and to higher things.